Super 30……………
I must say, It’s been so long, since I seen much less-exaggerated biopic from Bollywood. Super 30 is an living biopic on Anand Kumar, the
brilliant Mathematician of Patna, who run Super 30 coaching institute from
Bihar state of India. By this time readers must have gained little bit of
know’s-how’s of the movie. As written in opening line of the same paragraph, I
just love this movie because of less exaggeration. It’s a story of ordinary but
brilliant mathematician who want to make changes in the lives of aspiring under
privileged. All right, for me the catcher-phrase could be a ‘ordinary mold to
extra-ordinary’. Anand Kumar is the frame biopic character who started Super 30
coaching classes for under privileged IIT aspirants.
A son of local postman, who raises his kids under tough
circumstances and one of his son, became an brilliant mathematician from the
state of Bihar, but due to weak economic status of family he failed to broaden
his orbitals of further growth. Post his father’s death, he missed his further
studies in Cambridge College. To sustain life, he started his livelihood by
selling papads in a tiny lanes of Patna. Fortune draws him to worked with
private IIT coaching institute as teacher to privileged only. The most
intriguing fact of Super 30 is to keep audience spellbound throughout the length.
Upon realization of fable of Dronacharya and Eklavya from Mahabharata, he withdrawn
himself from the private institute and started him Super 30 where poor and
under privileged students were trained to qualify for IIT’s. The conversion
process of raw students to qualified pupils had been shown in much simplified
and Ziagarnic ways.
Sometimes we feels that the length of the movies could have
been shorten to some extent. Director Vikas Bahl’s skills once again tested and appreciated to give only important to few important
events of Anand Kumar. Such a beautiful screenplay.
For my eyes, the best scene would have been two instances. At
first, the drowning realization of education business by Anand Kumar because it
was point beginning of self-transformation and the climax at end when Super 30 becomes
real Super 30, because it proved that transformation can be possible by common
people in adverse situations. The film has nice cinematic notes, giant picturesque
scene on river Ganga. From cinematographic prospects there is a lot to learn
from the movie.
Unlike other Bollywood movies, focus is not at all shifted
toward onscreen love life/story of actor and actress, that must have not
diluted the focused of the audience throughout the screening. This fact is very
well honored by lead actor Hritik Roshan and lead actress Mrunal Thakur. Little
bit of on screen romance and scarified separation will not leave audience in trauma.
Another genuine piece of direction by director Vikas Bahl. He got the eye for giving
utmost importance to utterly important things. For reformist, rebellious,
energetic youth audience this movie is fest. On commercial front Super 30 already
crossed 100 crore benchmark. I will give 7 rating out of 10 at movie has focused
approach, it keeps spellbound, good scrrenplay, better cinematography.
Good to see Hritik Roshan back to action and Action Reply.
Faith
Amol Nakve
